Beethoven 200: II
- Tuesday 9 March 2027, 7.30pm
- Cadogan Hall
Beethoven 200: II
Tue 9 Mar 2027
Performances of Beethoven 200: II
Tue 9 Mar 2027 7.30pm
-
Show starts
7.30pm -
Approx. end time
9.20pm
Need to know
Repertoire
- Beethoven Fidelio: Overture
- Beethoven Piano Concerto No.4
- Beethoven Symphony No.3, 'Eroica'
Features
- Michalis Economou Conductor
- Elizabeth Sombart Piano
- Royal Philharmonic Orchestra
Ticket price
Prices from £22.50 (£18.00 + £4.50 transaction fee)ransaction fee)
Description
The second in a series of four all-Beethoven concerts at Cadogan Hall marking 200 years since the composer’s death.
The triumphant Fidelio Overture, with strong themes of loyalty and courage, is contrasted with the poetic Fourth Piano Concerto. Celebrated pianist Elizabeth Sombart performs one of the most beautiful and lyrical of all piano concertos – by turns sunny and melancholic, rapturous and introspective, feverish and wistful.
The Third Symphony is nothing short of revolutionary: majestic, dramatic and full of conflict. The title ‘Eroica’ befits what many consider the greatest symphony ever written, containing the foundations of Romanticism in grandiose gestures, burgeoning themes, and its very scale. Originally inspired by Napoleon, the Symphony was re-dedicated to “the memory of a great man” following Bonaparte’s vertiginous fall from grace in the composer’s eyes. The ‘Eroica’ champions human freedom, breaking new musical ground in its emotional extremes and its narrative approach to symphonic music.
The triumphant Fidelio Overture, with strong themes of loyalty and courage, is contrasted with the poetic Fourth Piano Concerto. Celebrated pianist Elizabeth Sombart performs one of the most beautiful and lyrical of all piano concertos – by turns sunny and melancholic, rapturous and introspective, feverish and wistful.
The Third Symphony is nothing short of revolutionary: majestic, dramatic and full of conflict. The title ‘Eroica’ befits what many consider the greatest symphony ever written, containing the foundations of Romanticism in grandiose gestures, burgeoning themes, and its very scale. Originally inspired by Napoleon, the Symphony was re-dedicated to “the memory of a great man” following Bonaparte’s vertiginous fall from grace in the composer’s eyes. The ‘Eroica’ champions human freedom, breaking new musical ground in its emotional extremes and its narrative approach to symphonic music.