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Our history

The front page of the printed programme for the RPO's first concert in 1946

Musicians should reflect the time in which they live. The Royal Philharmonic Orchestra (RPO) has ridden economic storms, cultural upheavals and seismic shifts in our attitudes as a society.

Through it all, we have journeyed with the creativity, passion, excellence and sense of adventure instilled in us nine decades ago by our founder Sir Thomas Beecham. We’ve often been the orchestra leading the way with technical innovations, new creative directions and fresh ways of reaching more people.

Excellences and openness have been at the centre of that – alongside the fundamental principle that whatever we play, we play it to the highest possible standards. Musicians come and go, but somehow, the great orchestras always maintain some sense of identity and character. Some believe that you can still hear the richness, virtuosity and generosity that Beecham so prized in his new orchestra, even when we play now.

1940s

Peace in Europe

  • In 1946, Britain’s first full year of peace following the Second World War, the entrepreneur and conductor Sir Thomas Beecham sets out to establish ‘a new great orchestra’ for Britain
  • On 15 September 1946, Beecham’s Royal Philharmonic Orchestra gives its first performance, at the Davis Theatre in Croydon
  • By 1949, the RPO has been recognised for setting new orchestral standards in London and has made over 200 recordings for major record labels including His Master’s Voice, CBS and RCA Victor 
Left to right: the RPO's first truck c.1940s; the title page of our very first concert programme in 1946; Sir Thomas Beecham conducting the RPO
Left to right: the RPO's first truck c.1940s; the title page of our very first concert programme in 1946; Sir Thomas Beecham conducting the RPO

1950s

A World Opening Up

  • In 1950, the RPO becomes the first British orchestra to tour to the USA since 1912, with Beecham conducting 52 concerts in 45 cities over 64 days
  • Beecham prides himself on recruiting the best musicians in London and by the mid 1950s, the RPO’s wind section is regarded as the best ever assembled in Britain – attracting the nickname ‘The Royal Family’
  • The Orchestra consolidates its long association with film music in 1955, recording the score to Laurence Olivier’s landmark film of Shakespeare’s Richard III
  • In 1957, a European tour takes the RPO around the continent starting at the Salle Pleyel in Paris and ending in at the Musikverein in Vienna 
Left to right: clipping from newspaper report of 1950 USA tour; Vienna Musikverein
Left to right: clipping from newspaper report of 1950 USA tour; Vienna Musikverein

1960s

New Waves

  • Following Beecham’s death, the great German conductor Rudolf Kempe takes the RPO’s musical reigns as Principal Conductor in 1961
  • Igor Stravinsky leads the Orchestra into the studio in 1964 to record his own opera The Rake’s Progress for Colombia Masterworks
  • Following its separation from the Royal Philharmonic Society, whose concert series it had originally played for, Queen Elizabeth II unconditionally confers the title ‘Royal’ on the Orchestra in 1966
  • A pioneering series of mixed genre concerts throughout the 1960s include an appearance with The Nice – one of the first collaborations between a symphony orchestra and a rock band 
Left to right: dinner after Sir Thomas Beecham's final concert in 1960; Rudolf Kempe
Left to right: dinner after Sir Thomas Beecham's final concert in 1960; Rudolf Kempe

1970s

Great Maestros

  • On 15 September 1971, the RPO celebrates its 25th birthday – back in Croydon, but this time with a concert at Fairfield Halls under Sir Adrian Boult
  • In 1975, the Hungarian Antal Doráti replaces Kempe as the RPO’s Chief Conductor
  • Yuri Temirkanov is appointed as our Principal Guest Conductor. This rich artistic partnership began in the recording studio in 1977, when EMI commissioned Maestro Temirkanov and the RPO to record Rachmaninov’s Symphony No.2, which immediately led to the Orchestra giving him a title. 
Left to right: a poster for an RPO 'Filmharmonic' concert at the Royal Albert Hall; Antal Doráti
Left to right: a poster for an RPO 'Filmharmonic' concert at the Royal Albert Hall; Antal Doráti

1980s

Entrepreneurship Rules

  • Reduced culture funding in the 1980s leads the RPO to return to the entrepreneurial spirit of its founder, exploring new revenue streams and beginning to work with commercial sponsors 
  • In 1981, the iconic RPO album Hooked on Classics is released, charting in 12 countries and reaching No.2 in the UK singles chart
  • In 1986, the RPO becomes the first orchestra in the world to release recordings under its own record label, including the first Symphonic Rock album
  • The Royal Philharmonic Concert Orchestra is established in 1987 – a versatile, adaptable sister orchestra with a flair for popular music 
  • In 1987 André Previn and Vladimir Ashkenazy form the unique partnership of Principal Conductor and Musical Director (respectively) to the RPO.
  • 1989 sees the release of the album Soy Gitang, in which the RPO collaborates with the great flamenco singer Camarón de la Isla 
Left to right: the RPO First violins c.1980; Pavarotti's Royal Albert Hall debut with the RPO, 1982
Left to right: the RPO First violins c.1980; Pavarotti's Royal Albert Hall debut with the RPO, 1982

1990s

Towards The Millenium

  • Recognising a rapidly changing world, in 1993 the RPO establishes one of the first education and outreach programmes of its kind, today known as RPO Resound
  • At Angel Studios in 1992, the Orchestra makes the original recording of the much-loved UEFA Champions League anthem
  • The RPO travels to Rome in 1994, for the Papal Concert at St Peter’s Basilica attended by Pope John Paul II
  • EMI launches its Great Recordings of the Century series in 1998, reissuing numerous RPO recordings including definitive recordings of music by Grieg, Delius, Tchaikovsky and Schubert, many conducted by Beecham 
Compilation picture of RPO Resound sessions. Photo credits: Charlie Hedley, Florence Royer, Royal Philharmonic Orchestra
Compilation picture of RPO Resound sessions. Photo credits: Charlie Hedley, Florence Royer, Royal Philharmonic Orchestra

2000s

New Platforms

  • In 2003, the RPO’s Music Director Daniele Gatti begins a journey through Beethoven’s nine symphonies live in concert that draw superlative reviews in which it is hailed as the start of a new era for the Orchestra 
  • The RPO becomes the sole Resident Orchestra at the newly opened Cadogan Hall in London in 2004, while continuing to play regularly at the Royal Albert Hall and the Southbank Centre’s Royal Festival Hall – the RPO remains the only symphony orchestra in London to play regularly at three concert halls
  • With the launch of the streaming service Spotify in 2006, thousands of RPO recordings dating back to Beecham’s era become instantly available to listen to anywhere in the world 
The RPO on stage at Cadogan Hall
The RPO on stage at Cadogan Hall

2010s

Extending Reach

  • In May 2013, six youth ensembles from across London boroughs join the RPO at the Royal Albert Hall to perform a piece co-composed by all six groups
  • The RPO’s pioneering music therapy programme for stroke survivors and their carers, STROKESTRA®, is launched in 2015 and has since transformed outcomes for dozens of patients 
  • In 2017 the RPO worked with children across Hull, and performed a concert of John Williams’ music at Hull City Hall as part of the City of Culture celebrations  
Left to right: the RPO at the 2017 Proms in front of the Royal Albert Hall; the RPO in concert at St Paul's Cathedral in 2019
Left to right: the RPO at the 2017 Proms in front of the Royal Albert Hall; the RPO in concert at St Paul's Cathedral in 2019

2020s

The New World

  • Charismatic British-Russian conductor Vasily Petrenko begins his tenure as the RPO’s new Music Director in 2021 
  • The RPO becomes the first British orchestra to tour to the USA since the COVID-19 pandemic in 2022, continuing a relationship with the nation stretching back to 1950
  • Musicians from the RPO perform during the Coronation of King Charles III, the Orchestra’s Patron, at Westminster Abbey in 2023
  • As digital media continues to transform the landscape of music, statistics from 2025 show that the RPO’s digital audience stands at over 70 million people a year 
  • In 2025, the RPO realises a long-held ambition to embed itself in the everyday life of a diverse community and moves its headquarters to Wembley Park in the London Borough of Brent
  • In 2025, the RPO signs with a record label for the first time in over five decades, agreeing to a multi-album deal with French label Harmonia Mundi  
Left to right: Vasily Petrenko, the Music Director of the RPO; the RPO recording the UEFA Women's Euros Anthem in 2022
Left to right: Vasily Petrenko, the Music Director of the RPO; the RPO recording the UEFA Women's Euros Anthem in 2022