Chloë Hanslip Shines in the Sibelius Violin Concerto

SEEN AND HEARD INTERNATIONAL

This was the second concert in the series ‘Symphonic Soundscapes: The Music of Prokofiev and Sibelius‘ being presented by Alexander Shelley and the RPO at Cadogan Hall. As in the previous concert (review) Shelley introduced the works from the stage and drew attention to the role Prokofiev and Sibelius had in helping to forge the national identities of their respective countries following the Russian Revolution of 1917.

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Frenzy and passion: intense Sibelius from Chloë Hanslip and Alexander Shelley's fiery Prokofiev

BACHTRACK

As I was doing the recycling the other day, my mind turned briefly to the different ways in which composers sometimes recycle, revise or reuse music. Taking the pieces in this programme by Alexander Shelley and the Royal Philharmonic Orchestra as examples. Sibelius' Violin Concerto in D minor was written in 1904 but was revised heavily in 1905, the third movement of Prokofiev's Symphony no. 1 in D major "Classical" was also used in his ballet Romeo and Juliet, and his Symphony no. 3 in C minor used music from an unperformed opera.

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Review: Royal Philharmonic Orchestra play the film scores of John Williams at Cambridge Corn Exchange

ELY STANDARD

The audience saw sweeping pictures in their heads when the Royal Philharmonic Orchestra played the music of John Williams at Cambridge Corn Exchange on Saturday, January 21.

The evening began with the triumphant main theme from Superman. So appropriate. In movie music terms, Williams is Superman. Composing for over 50 decades he has won five Oscars and received 50 nominations.

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Preview: what's in store at the Royal Festival Hall?

Six brilliant conductors, ten sparkling soloists, sixteen amazing works, and one legendary orchestra. That, in bald numbers, is the Royal Philharmonic Orchestra's Southbank Centre concert season at the Royal Festival Hall, starting on Tuesday 7 February. However, in the sheer quality of the Orchestra's playing and the music it will be performing, such calculations convey little about the music in store for seasoned concertgoers and classical discoverers alike.

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Latest News

  • Wednesday 10 January 2018
    Charles Dutoit Steps Down Early as Artistic Director and Principal Conductor of the Royal Philharmonic Orchestra
  • Monday 1 January 2018
    Welcome to New Cellist Anna Stuart
  • Friday 22 December 2017
    Royal Philharmonic Orchestra Responds to Accusations Made About Charles Dutoit

Latest Press

  • Wednesday 22 November 2017
    Sir Peter Ellwood CBE DL presented with honorary membership – Press Release
  • Friday 10 November 2017
    Royal Philharmonic Orchestra continues five-year residency at Hull City Hall – Press Release
  • Wednesday 1 November 2017
    "Studying a score is like reading a novel": An interview with Alexander Shelley