Hannah Nepil talks Music and Neuroscience

The concert on Thursday 27 November at Cadogan Hall, featuring conductor Alessandro Fabrizi and pianist Alexandra Dariescu, is dedicated to Music and Neuroscience – a scientific project that aims to develop and deepen understanding of the relationship between the themes of music production and science.

Picture the following scenario: you’re feeling under the weather, so you make an appointment with your GP. After a lot of ho-humming, they dispatch you to a specialist, who prescribes three hours of Bach’s Third Brandenburg Concerto shaken up with half an hour of Haydn’s Nelson Mass – to be taken twice daily with food and absolutely no Wagner.

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Prom 60: RPO/Dutoit at the Albert Hall, SW7

THE TIMES

How about this for an evening meal: chocolate fudge pie, cherry cheesecake, topped off with black forest gateau? A combined performance of Respighi’s Roman tone poems isn’t quite that indigestible, for the orchestra does tiptoe from time to time, but the calories and noise involved need a health warning and a conductor not afraid of the immoderate.

Enter, then, Charles Dutoit...

https://www.thetimes.co.uk/search?q=charles+dutoit

Prom 60: RPO/Dutoit review – aplomb and bags of panache

THE GUARDIAN

It was hard to imagine Respighi's Roman trilogy done better...

Charles Dutoit, principal conductor of the Royal Philharmonic Orchestra, has long been an advocate of Respighi's so-called Roman trilogy, his sequence of symphonic poems composed between 1915 and 1928, which obliquely survey the city's history and culture through depictions of its fountains, pines and festivals.

https://www.theguardian.com/music/2014/sep/02/prom-60-rpo-dutoit-review

 

Prom 60: Driver, RPO, Dutoit

THE ARTS DESK

Rainbow colours with a cooling shower or two in Proms showpiece time.

After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin Grosvenor and septuagenarian Charles Dutoit are absolutely in control of the colours they make, very occasionally too much so. But it was a rainbow-hued day inside the Cadogan and Royal Albert Halls, culminating in a spectacular and perhaps unrepeatable Respighi triple bill of Roman impressions.

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