José Serebrier and the Golden Age

Hollywood comes to the Royal Albert Hall on Wednesday 4 November when the Royal Philharmonic Orchestra performs some of the greatest film scores from the Golden Age of the movies, under the inspired direction of legendary conductor José Serebrier.

It promises to be a match made in tinseltown: the RPO, an orchestra with recording credits including The Bridge on the River Kwai and The Red Shoes, and Serebrier who, in addition to being an acclaimed, multi-Grammy Award-winning conductor famed for his interpretations of Glazunov, has composed for film as well as for one of Hollywood’s biggest stars. He is, therefore, just the man to create more than a little movie magic on this special night.

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RPO/Dutoit review – dexterity and refinement


Charles Dutoit’s Prom with the Royal Philharmonic Orchestra was Shostakovich’s 15th Symphony – his most cryptic, some would say. Written in 1971, when the composer’s health was already failing, it’s a terminal, introverted, bitterly funny piece that draws its listeners into a world of riddles, allusions and private jokes as its themes morph into other men’s music – notably Rossini’s and Wagner’s – or into other works by Shostakovich himself. No other symphony yields up its secrets quite so obdurately; arguments about its meaning are legion.

Prom 45 All is vanity: Dutoit and the Royal Philharmonic Orchestra's take on Shostakovich 15


This month sees the 40th anniversary of the death of the 20th century’s most versatile composer, Dmitri Shostakovich. How appropriate, therefore, that the RPO under its principal conductor Charles Dutoit marked the event with the composer’s last symphony, a summation of his life’s work.

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Prom 45: Leonskaja, RPO, Dutoit


Drawing an audience of five and a half thousand in to listen intently is harder than pushing out into the vasts of the Albert Hall. Yet it’s what seems to work best in this unpredictable space, and last night masterful veterans Elisabeth Leonskaja and Charles Dutoit knew exactly what to do. The results were romantic introspection in Mozart - an unfashionable but valid alternative to authentic sprightliness - and a Shostakovich Fifteenth Symphony that was more skull than skin, but a compellingly decorated skull for all that.

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Latest News

  • Tuesday 14 May 2019
    June concerts with Menuhin Competition winner Diana Adamyan
  • Monday 13 May 2019
    An Interview with Chloé van Soeterstède
  • Friday 3 May 2019
    Young people driving vinyl renaissance says RPO YouGov report

Latest Press

  • Monday 13 May 2019
    An Interview with Chloé van Soeterstède
  • Monday 1 April 2019
    Francesca Dego "performing with the RPO? It's like driving a Ferrari"
  • Wednesday 23 January 2019
    Strokestra Features in The Washington Post