2015 Regional Concerts: Preview

Concerts in the New Year feature such acclaimed artists as Grzegorz Nowak, Morgan Szymanski, Eduardo Portal, Sarah Beth Briggs, Natalie Clein and Freddy Kempf, amongst others, and you can now book for more 2015 events at The Baths Hall (Scunthorpe), Wycombe Swan (High Wycombe), Orchard Theatre (Dartford), Ipswich Regent Theatre and Marina Theatre (Lowestoft).

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Charles Dutoit discusses Duke Bluebeard’s Castle

Sinister, enigmatic, and yet so simple: such is the story of Béla Bartók’s one-act 1911 opera Duke Bluebeard’s Castle. A young woman enters her new husband’s home – a huge dark castle with seven locked doors. Despite her husband’s protestations, she insists that all the doors be opened, at first to allow light into the gloomy interior, and then out of insatiable curiosity. What awaits her is a series of gruesome, disturbing, perplexing sights – among them a blood-stained torture chamber and a lake of tears.

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A concert of two halves: the RPO plays German Romantic classics

BACHTRACK

Thursday night’s concert, from the Royal Philharmonic Orchestra, sought to draw similarities and accentuate differences between three pillars of German Romanticism: Wagner, Richard Strauss and Brahms. Whilst both Wagner and Brahms saw themselves as successors to Beethoven, they composed strikingly different music. Brahms displays far more reverence for the past, particularly when it comes to structural and rhythmic devices, yet as Schoenberg famously pointed out in his 1933 essay Brahms the Progressive, Brahms’ music is far from conservative.

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An Interview with Eduardo Portal

Following his performance with the RPO and Natasha Paremski last month at the Royal Albert Hall (The Great Classics), conductor Eduardo Portal talks to Hannah Nepil about what it takes to be a professional conductor.

Who can resist the whiff of danger? For Eduardo Portal, it’s exactly what makes his job so thrilling. ‘Conducting is high risk,’ he says. ‘Only yesterday, when I was conducting the Royal Philharmonic Orchestra, I felt that the concert was entirely in my hands because the players were reacting so accurately to my slightest gesture. So I felt that if I performed well, then the concert would be a success. But if I made a mess of it – well…’ He trails off.

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Latest News

  • Tuesday 17 April 2018
    Esther Yoo Violin Playlist
  • Wednesday 4 April 2018
    Support Your RPO: Leave a Legacy
  • Tuesday 3 April 2018
    Pinchas Zukerman Summer Music Festival

Latest Press

  • Wednesday 28 February 2018
    Rafael Payare: Conducting should always feel like your last breath
  • Wednesday 28 February 2018
    WIN Tickets to Myths and Fairytales
  • Wednesday 21 February 2018
    The Best of Ballet with Nathan Fifield